A continuation of the last exercise - this time taking the module in the z dimension…

Image copyright NBBJ, LLC  2007

MS

Here is an image of a screen system I have been developing (rendered with a little 50’s newspaper panache) for a project that I have had the pleasure of helping out on. Pretty straight forward, I think the image speaks for itself, but simply put, the screen tries to achieve depth on a flat façade.

The ultimate goal is to accommodate the multiple scales and gradients of its locale (suburban Moscow) through the use of a panelized screen that can be manipulated to achieve varied effects textually and materially that may respond to program elements of the office behind it. As cost can never be overlooked the screen uses only one panel size, and the effect is achieved simply by spacing the panels differently on vertical struts that run the height of the curtain wall.

The buildings abut end-to-end such that the surface condition can both wrap the corner, and translate across from building to building.

I think all too often we associate “random paneling” with “interesting”, in lieu of actually taking advantage of inherent relationships.

All images copyright NBBJ, LLC 2007

On the tail of the Republic Square competition, another *small* project competition emerged in the heart of Almaty’s financial district that was simple in the challenge it set forth; a speculative office complex 160,000 sm, consisting of four buildings, 2 large (flanking the site), and 2 smaller (in the middle). Our team, since having won the competition, is finding in the midst of its development, that the project has grown considerably in size, scope, and complexity. I will try to document this ongoing effort, to bring to light design issues put on the table, challenges faced, and what it might mean for the client, city, and occupants…

Concept.

The client’s interest for the project is one which predicates a desire to create a formidable presence in a burgeoning financial district at the southeast corner of the city. The Kazak culture as a whole has strong ties to the landscape, which for centuries was the enabler of their nomadic lifestyle. They were a people who farmed the steppe between the lowlands, and the southern mountain ranges. It is this affinity for their environs, coupled with a desire to participate in a dialogue with western society that led them to the development of this project.At its rudiments, the buildings of the Al Farabi Business Center have the advantage of being the third project in an on-going collaborative between NBBJ, E/Ye Design, and TS Engineering (TSE). TSE is the client, developer, and shared user of the complex. As stated above, the formal nature of these investigations resonated highest with the client because of their simultaneous addressing of both the desire to create buildings which become part of, and speak to, a larger landscape, as well as situating themselves in a contemporary discussion with the richness and technology of western architecture. The goal of the project is synergistic with this ideal; to create place beyond the realm of speculative office (the parameters of which were dictated by the client to be four buildings of a specific size and location), which amplifies this discussion. Thusly, an attitude held by the project at its inception was to accommodate the programmatic, ecological and metric requirements of the speculative typology by pushing the Architecture to both the perimeter and interstitial space between the buildings, leaving the interior potential to be a flexible as possible for the future tenants.

Differentiation of these spaces is evoked through a shared formal relationship with the building and ground-plane through manipulated splines, to create an abstracted relationship to the life of the landscape and landforms of the steppe in opposition to the imposed gridded geometry of the city and its gardens (as residual from Soviet occupation). These geometries are subverted, however, described only by rigorous deployment of linear construction methodologies, speaking to a degree of machined western refinement, and adapt to certain situations afforded by the site.

All images Copyright NBBJ, LLC 2007