Æsthe/tech:Tonik

Building | Beauty | Consuming | Image

Manifest

Content. Make sure you have it.

If it looks good, well, that’s just a bonus - fine and dandy. Socially, institutionally, and academically, we have sabotaged the aesthetic through our actions and desires. It has now become an empty casing, the epitome of superficiality that we see plastered in fashion magazines, newspaper blips and television sets dialed into American Idol. Visual junk food. Perhaps it is the sheer quantity of images that we are bombarded with everyday. Maybe it’s the underlying visceral Pavlovian response that we hate to admit aesthetics evoke within us. For whatever reason, aesthetics have been villanized and subsequently stripped of any value relative to arts disciplines. What we sometimes fail to realize is that we are a predominantly visual culture, and failure to admittedly engage such a large portion of what we value tends to give the aesthete a bad name, when actually we can trace the majority of artistic/design movements to a conscious embrasure of aesthetics, or a conscious denouncement of aesthetics which, in turn, created a new aesthetic ( i.e., cubism, impressionism, modernism).

This blog will most likely fall all over the map in relation to what it promotes or denounces. It may devolve into generalities on what contributors simply find interesting. It is hard to categorize what it will or will not address, given the evolutionary nature of the media. What it does aim to do is recognize the inherent nature of design disciplines, more specifically architecture to pass off the way something looks as completely subjective, and instead will look for undercurrents which reproduce a positive project while still maintaining experiential and spatial value. In addition, this blog will also highlight specific techniques, be it digital, manual, or 3-dimensional, and the impact that those may have in relation to the work produced. The purpose being, that as designers become more adept (and less impressed) with simply the capacity of new tools and methods to create “something new”, we instead use them to create something better.

Qualifier: This is not meant to be a proponent of image for image sake. I don’t think anyone would argue that as designers, we want to be empty, soulless vehicles for prettiness. It does, however, make the assumption that no image or aesthetic is completely empty, and that we can find value if we look close enough.

1 Comment »

  Tim wrote @ March 24, 2007 at 10:39 pm

I understand where you are coming from. I always thought that over-intellectualize about architecture is not only unhealthy but boring as hell.

The architecture I understand from the Pyramid to Acropolis to Gothic to Renaissance…. to Gehry is dealing with, in the context of aesthetic, is representational, or symbolic in some sense. That means form is not just form, but have meaning attached to it.

Technology seems to be the differentiating factor of what can be constructed. But just becuase we can do something doesn’t mean that we should. Just because we can draw circle doesn’t mean that every building should be circular. Technology has to be able to find a match in meaning that is relevant in our time and situation.

As the world is flattening and everything is more interconnected than ever, the key is how aesthetics persue is integrated with everything else so that it communicates and therefore impacts.

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